Robert Downey Jr could have played Lloyd, Jennifer Connelly came close to being Diane. Lawrence Kasdan, writer of “ The Empire Strikes Back” and “ Raiders Of The Lost Ark” and director of “ The Big Chill” and “ Body Heat,” had been circling the project, but told Crowe, according to an interview at the time, “You are that main character. The script evolved slowly over a four-year period, with Crowe adding Lloyd Dobler, who would eventually become the main character.
Brooks had met the young writer while interviewing him about his time at Rolling Stone during the research proceess for “ Broadcast News,” and had been impressed by the voice displayed in his script for 1984’s “ Wild Life,” his mostly forgotten follow-up to “ Fast Times At Ridgemont High.” Brooks hired Crowe to write a screenplay around an idea he’d had involving a girl who discovers her father is a criminal. The film was originally going to be directed by Lawrence KasdanĪs personal as the film clearly is, “ Say Anything” was actually a gig-for-hire for Cameron Crowe. “Say Anything” was released twenty five years ago on April 14th, 1989, and to mark the anniversary this week, we’ve put together five things you may not be aware of about Crowe’s evergreen classic.ġ. As such, despite rave reviews, it only took $20 million at the domestic box office, and a meagre $733,000 internationally - indeed, in many territories, like the U.K, it went straight to video.īut over time, partly thanks to the success of Crowe’s later work like “ Jerry Maguire” and “ Almost Famous,” and partly because of the slow realization of its brilliance, the rom-com - which follows the fledgling relationship between ambition-free aspiring kickboxer Lloyd Dobler ( John Cusack) and valedictorian Diane Court ( Ione Skye), whose father ( John Mahoney) is in trouble with the law - has become one of the most beloved films of the 1980s teen boom. John Cusack was an established star of films like “ The Sure Thing,” but co-star Ione Skye was basically unknown, and director Cameron Crowe was, despite his writing credit on “ Fast Times At Ridgemont High” eight years earlier, not a known quantity. It’s only natural after seeing this.“ Say Anything” was not particularly successful on its release. If that song came on in the club right now, pandemic aside, you’ll probably feel the slight inclination to reenact the funniest scene in the movie.
Accompanying his stale, unorthodox moves, Busta Rhymes’ “Pass the Courvoisier” blasts in the background and makes everyone walk over to join the fun. He eventually gets the opportunity to debut what he practiced in the mirror on senior skip day.
#Scenes like the famous say anything boombox scene how to
As Alvin becomes “cool” due to the association, he attempts to learn how to dance via an old workout movie he has at the crib, combining those techniques with his own wacky creations. In the movie, Alvin strikes a deal with Paris Morgan, who’s played by Christina Millian, to fix her car in exchange for being his temporary girlfriend. And it actually worked as everyone chimed in to mimic the madness. Whenever the VHS classic Love Don’t Cost a Thing is brought up, the first thing you’ll probably think of is Nick Cannon, who plays science nerd Alvin Johnson, hitting that wildly corny yet infectious dance on the beach. You can’t hear this song and not get taken back to these cinematic flashes. Upon arriving to the make-or-break battle, B-Rabbit eventually travails past the unsupported rounds.The song is fitting because it details how he was able to get through it all, literally losing himself in the moment and tapping into a zone that showed off his real potential to become one of Detroit’s best rappers. He knows that his pen game has to be sharper than ever in order to compete, so before he steps up to bat, he channels his inner talent and pulls out the notepad as the instrumental of “Lose Yourself” hums in the background as his daughter paints a picture alongside him. Going by B-Rabbit in the movie, the White rapper has to prove himself in a gritty battle environment surrounded by Black people who are far from accepting of his paleness and desire to be included in the culture. To give some context, the autobiographical film traces back Em’s journey of launching a career in hip-hop. Eminem’s hit song “Lose Yourself” has roots that can be traced back to the box-office success of the film 8 Mile.